Known for his assemblage sculptures and modernist paintings and drawings which tap into the subconscious, the show will feature 30 works, including two large mixed media creations which dangle from the ceiling on chains. The exhibition will also mark the first time some of the pieces have been exhibited in public since Jackson’s death.

A child of the rust belt, Jackson attended the Cleveland Institute of Art in the mid-70s, concentrating on painting and drawing. From there, he moved to Philadelphia where he started a business as a historical carpenter and began to develop an interest in sculpting in the round.

It wasn’t until Jackson’s return to Cleveland in 1992 that he caught the assemblage bug in earnest, using the region’s decaying infrastructure as both a subject of his art and as a rich source of raw materials. “I view cities, for better or worse, as the locus of the culture,” Jackson explained. “Cleveland’s industrial landscape is fertile ground for anyone that shares my enthusiasm.”

Jackson’s return to Cleveland also was marked by his participation in NewCelle, an experimental drawing group with fellow members Bea Mitchell and the mercurial Ed Mieczkowski of Op Art fame. The multiple paintings on display in Against Gravity form an aesthetic bridge between Jackson’s drawings and his sculptural oeuvre.

It is Jackson’s fearless ability to pursue an idea across form and media which is the hallmark of his artistic talent. The combination of his paintings, drawings and sculptures featured in Against Gravity: Remembering John Jackson captures his seeker’s spirit and provides a rare glimpse into his world several decades in the making – a fitting tribute for his faithful followers and a perfect introduction for neophytes alike. Jackson’s work will be on view until March 11

For more information on the exhibition and a see a preview of the work, visit: https://www.artistsarchives.org/event/against-gravity-john-jackson/