During the Guna Revolution of 1925, Guna people rallied around their right to make and wear molas as a statement of their independence. They ultimately gained sovereignty over their territory, an archipelago of hundreds of small islands along Panamá’s Atlantic coast, known collectively as Gunayala.

Molas are masterfully hand-sewn cotton panels that are made in pairs and sewn into blouses. They feature a wide array of vibrantly colored compositions, with designs ranging from geometric abstraction to imaginative scenes inspired by popular Western culture. Strong expressions of duality, repetition and equilibrium are evident in mola imagery, both in single panels and those comprising the front and back of a blouse. Driven by precise aesthetic values and a spirited practice of artistic critique, Guna women are passionate about making ever more innovative mola designs that continue to push the boundaries of their cultural tradition.

This exhibition presents both individual mola panels and complete mola blouses from the collections of the Cleveland Museum of Art and Denison University in Granville, Ohio. The molas on display span distinct periods of Guna history, from the era of the 1925 revolution to the 1980s.

All exhibitions at the Cleveland Museum of Art are underwritten by the CMA Fund for Exhibitions. Major annual support is provided by the Estate of Dolores B. Comey and Bill and Joyce Litzler, with generous annual funding from Mr. and Mrs. Walter R. Chapman Jr., the Jeffery Wallace Ellis Trust in memory of Lloyd H. Ellis Jr., Ms. Arlene Monroe Holden, Eva, and Rudolf Linnebach, William S. and Margaret F. Lipscomb, Tim O’Brien and Breck Platner, the Women’s Council of the Cleveland Museum of Art, and Claudia Woods and David Osage.

The Cleveland Museum of Art is funded in part by residents of Cuyahoga County through a public grant from Cuyahoga Arts & Culture.

This exhibition was supported in part by the Ohio Arts Council, which receives support from the State of Ohio and the National Endowment for the Arts.