The photographer first saw positive images on the contact sheet, which was marked up for printing and served as a lasting reference. Digital technology has put an end to that era: the photographer now sees the image instantly, and systems of storage, retrieval, and editing have become increasingly sophisticated. As photography proliferated in galleries and museums in the 1970s, photographers occasionally printed all the images from one roll of film together and presented the result as a finished work of art. Typically, however, the contact sheet remained within the working process, out of public view. That is why it is remarkable that the late Cleveland collector Mark Schwartz was able to build a comprehensive collection of contact sheets.

PROOF features approximately 180 works from the collection, notably by Diane Arbus, Richard Avedon, Harry Benson, Harry Callahan, Robert Frank, Philippe Halsman, Irving Penn, and Albert Watson, as well as by Schwartz’s friends Arnold Newman, Larry Fink, and Emmet Gowin.