What kind of stories are we willing to hear? What kind of stories move us? Why is it that the same audiences that are driven to tears by fictional blockbusters, remain affectless in the face of actual human suffering?
Love Story (2016), a seven-channel installation by Candice Breitz, interrogates the mechanics of identification and the conditions under which empathy is produced. The work is based on the personal narratives of six individuals who have fled their countries in response to a range of oppressive conditions.
The personal accounts shared by the interviewees are articulated twice by Love Story. In the first space of the installation, re-performed fragments from the six interviews are woven into a ... view more »
Love Story (2016), a seven-channel installation by Candice Breitz, interrogates the mechanics of identification and the conditions under which empathy is produced. The work is based on the personal narratives of six individuals who have fled their countries in response to a range of oppressive conditions.
The personal accounts shared by the interviewees are articulated twice by Love Story. In the first space of the installation, re-performed fragments from the six interviews are woven into a fast-paced montage featuring Hollywood actors Alec Baldwin and Julianne Moore (who are cast in the work as themselves: ‘an actor’ and ‘an actress’). In a second space that is accessible only via the first, the original interviews unfold across six suspended screens in their full duration and complexity, now intimately voiced by the individuals whose lived experience they archive.
The installation is set up in the Helen Theatre at Playhouse Square
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