Through his often monumental paintings that insert black protagonists into traditional Western art genres, Marshall has distinguished himself as one of the most acclaimed and influential artists of our time. Alongside his paintings, Marshall has an active practice making works on paper, which is the focus of this exhibition.
The show features a monumental, 12-panel woodcut print from 1999 that unfolds cinematically, taking the viewer from an aerial perspective of an urban grid into the intimate ... view more »
Through his often monumental paintings that insert black protagonists into traditional Western art genres, Marshall has distinguished himself as one of the most acclaimed and influential artists of our time. Alongside his paintings, Marshall has an active practice making works on paper, which is the focus of this exhibition.
The show features a monumental, 12-panel woodcut print from 1999 that unfolds cinematically, taking the viewer from an aerial perspective of an urban grid into the intimate setting of a home. An array of drawings of smaller scale, spanning the arc of Marshall’s career, will complement the woodcut and emphasize the seminal artist’s ongoing investigations of private and public space.
This exhibition is organized in conjunction with FRONT International: Cleveland Triennial for Contemporary Art
Image: Satisfied Man, 2015. Kerry James Marshall (American, b. 1955). Woodcut print; 70.9 x 56 cm. Collection of John Silberman and Elliot Carlen. © Kerry James Marshall. Courtesy of the artist and Jack Shainman Gallery, New York
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